![]() Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We test lenses using both real world sample images and lab tests. It’s also impressively compact and lightweight, as well as being very keenly priced for an own-brand Sony lens. Even so, the lens is capable of superb results with excellent sharpness in the central region of the frame. At its shortest focus distance, it delivers 1.0x macro magnification but, as with other full macro lenses of a similar focal length, this means that the front of the lens comes very close to what you’re shooting, so you have to be careful not to block ambient lighting. In other respects, it’s pretty basic, with a relatively slow f/3.5 aperture rating, no Optical SteadyShot, and no external moving parts apart from the electronically coupled manual focus ring. Sony’s shiny 30mm macro lens features an aspherical element and ED (Extra-low Dispersion) glass, along with a smooth and ultra-quiet stepping motor autofocus system. It does have a small amount of chromatic aberration and barrel distortion but this can be fully corrected in camera. Images are sharp from corner to corner and vignetting is only slightly noticeable when shooting at f/1.8. The image quality is second to none but that's to be expected from Canon RF lenses. Like most other RF lenses, it's fitted with a customizable control ring that can be set to adjust aperture, shutter speed, ISO or exposure compensation depending on your shooting preferences. With a short minimum focussing distance that enables 0.5x magnification and 5-stop hybrid image stabilization, it's an excellent lens whether you want to shoot close up to your food or from further away to get a whole table in. This compact, lightweight RF mount 35mm lens uses a stepping motor autofocus system which means there's no focus distance scale or depth of field markings but you can view a distance scale, focus peaking and focus guide options in the shooting display menus of Canon RF mount bodies such as the Canon EOS R6 Mark II. Creating highlights and shadows will give your photos more depth and make your food look even more delicious. It would also be a good idea to invest in big white sheets of card as these can be used to bounce sunlight or other light sources for a more subtle look. This is because once they're set up you'll be able to preview the exposure in-camera without worrying about the light changing. The best way to get around this is by investing in one of the best photography lighting kits - this can be either studio flash or LED panels but if you're not used to shooting with lights LED panels will be easier to use. Most food photography is done indoors so there might not be a huge amount of ambient light. You'll also want to think about lighting. Chances are you won't need a full macro magnification factor of 1:1 but you will want a lens that focuses really close to the food you're photographing. If you want to get really up close to your food so you can photograph every single detail, you may want to think about investing in one of the best macro lenses. Even some of the best cheap lenses will be great for food photography and after all, the more you can save on kit the more you'll have to spend on things like props which you will need! We have a guide dedicated to the best 50mm lenses and the best lenses for street photography which is usually around the 35mm mark so either of these could also help to depend on your budget and brand of camera. We'd recommend a minimum focal length of 35mm on an APS-C body or a 50mm on a full-frame camera. ![]() You don't want to shoot with an ultra-wide-angle lens that distorts the image as it will make your photos look strange. ![]() Typically, the best lenses for food photography are those that give a natural perspective. What are the best camera lenses to buy?.
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